SCHOENSTEIN & CO. |
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Revised Stop List |
for |
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St. Andrew`s Episcopal Church |
Amarillo, Texas |
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Aeolian-Skinner Organ Co., Opus 1024 |
Four Manual and Pedal Organ |
84 Voices — 104 Ranks |
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Electric-Pneumatic Action |
GREAT (G) 3" wp |
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16’ |
Double Open Diapason |
61 |
Pipes |
16’ |
Quintaten |
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61 |
“ |
8’ |
Diapason |
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61 |
“ |
8’ |
Principal |
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61 |
“ |
8’ |
Bourdon |
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61 |
“ |
4’ |
Octave |
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61 |
“ |
4’ |
Rohrflöte |
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61 |
“ |
22/3' |
Quint |
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61 |
“ |
2’ |
Super Octave |
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61 |
“ |
13/5' |
Tierce |
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61 |
“ |
III-V |
Fourniture |
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285 |
“ |
III |
Cymbel |
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183 |
“ |
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Vibra-Harp (C) |
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Harp (C) |
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Chimes(L) |
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Harp-Celesta (C) |
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Bombarde on Great |
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String on Great |
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SWELL (S) 3¾" wp |
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16’ |
Rohrgedeckt |
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73 |
Pipes |
16’ |
Contra Salicional |
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73 |
“ |
8’ |
Geigen Prinzipal |
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73 |
“ |
8’ |
Stopped Flute |
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73 |
“ |
8’ |
Flauto Dolce |
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73 |
“ |
8’ |
Flute Celeste |
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61 |
“ |
8’ |
Salicional |
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12 |
“ |
8’ |
Voix Celeste |
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61 |
“ |
4’ |
Oktave Geigen |
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73 |
“ |
4’ |
Flauto Traverso |
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73 |
“ |
22/3' |
Nazard |
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61 |
“ |
2’ |
Flautina |
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61 |
“ |
13/5' |
Tierce |
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61 |
“ |
IV |
Plein-jeu |
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244 |
“ |
16’ |
Fagotto |
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73 |
“ |
8’ |
Trompette |
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73 |
“ |
8’ |
Oboe |
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73 |
“ |
8’ |
Vox Humana |
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73 |
“ |
4’ |
Clarion |
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73 |
“ |
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Vibra-Harp (C) |
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Harp (C) |
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Harp-Celesta (C) |
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Tremulant |
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Bombarde on Swell |
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String on Swell |
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Swell |
16’ |
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Swell Unison Off |
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Swell |
4’ |
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CHOIR (C) 3¾" |
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16’ |
Contra Viola |
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73 |
Pipes |
8’ |
English Diapason |
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73 |
“ |
8’ |
Concert Flute |
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73 |
“ |
8’ |
Viola |
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73 |
“ |
8’ |
Viole Sourdine |
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73 |
“ |
8’ |
Viole Celeste |
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61 |
“ |
8’ |
Dulciana |
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73 |
“ |
8’ |
Unda-Maris (TC) |
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61 |
“ |
4’ |
Fugara |
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73 |
“ |
4’ |
Harmonic Flute |
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73 |
“ |
2’ |
Zauberflöte |
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61 |
“ |
16’ |
Bassoon |
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73 |
“ |
8’ |
Clarinet |
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73 |
“ |
8’ |
Cor Anglais |
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73 |
“ |
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Vibra-Harp |
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Harp |
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Chimes (L) |
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Harp-Celesta (Toe lever with indicator for dampers) |
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Tremulant |
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Bombarde on Choir |
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String on Choir |
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Choir |
16’ |
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Choir Unison Off |
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Choir |
4’ |
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BOMBARDE (B) 7" |
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16’ |
Bombarde |
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73 |
Pipes |
8’ |
Trompette Harmonique |
73 |
“ |
4’ |
Clarion Harmonique |
73 |
“ |
IV-VI |
Grand Choeur |
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350 |
“ |
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SOLO (L) 10" |
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8’ |
Symphonic Flute |
Addition |
73 |
Pipes |
8’ |
Doppelflöte |
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73 |
“ |
8’ |
Violoncello |
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73 |
“ |
8’ |
Violoncello Céleste |
61 |
“ |
4’ |
Concert Flute |
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73 |
“ |
8’ |
French Horn |
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73 |
“ |
8’ |
Orchestral Oboe |
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73 |
“ |
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Chimes |
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Tremulant |
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8’ |
Tuba (Unenclosed) |
Relocation |
73 |
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Bombarde on Solo |
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String on Solo |
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Solo |
16’ |
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Solo Unison Off |
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Solo |
4’ |
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POSITIV (V) 2½" |
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8’ |
Nachthorn |
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61 |
Pipes |
4’ |
Koppelflöte |
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61 |
“ |
22/3' |
Nasat |
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61 |
“ |
2’ |
Prinzipal |
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61 |
“ |
13/5' |
Terz |
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61 |
“ |
1’ |
Sifflöte |
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61 |
“ |
III |
Zimbel |
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183 |
“ |
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Cymbelstern |
Addition |
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STRING (N) 10" |
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16’ |
Contre Viole |
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73 |
Pipes |
8’ |
Viole de Gambe |
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73 |
“ |
8’ |
Gambe de Celeste |
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61 |
“ |
8’ |
Viole d’Orchestre |
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73 |
“ |
8’ |
Viole Celeste |
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61 |
“ |
8’ |
Gemshorn |
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73 |
“ |
8’ |
Gamba Celeste |
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61 |
“ |
4’ |
Violina |
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73 |
“ |
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PEDAL 5" |
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32’ |
Contra Bourdon |
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32 |
Pipes |
16’ |
Contra Bass |
Preparation |
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16’ |
Major Bass |
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12 |
“ |
16’ |
Principal |
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32 |
“ |
16’ |
Sub-Bass |
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16’ |
Quintaten (G)* |
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16’ |
Lieblich Gedeckt |
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16’ |
Contra Salicional (S) |
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16’ |
Contre Viole (N) |
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8’ |
Principal |
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32 |
“ |
8’ |
Gedeckt Pommer |
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32 |
“ |
8’ |
Still Gedeckt (S) |
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8’ |
Salicional (S) |
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51/3' |
Quint |
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32 |
“ |
4’ |
Super Octave |
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32 |
“ |
4’ |
Nachthorn |
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32 |
“ |
2’ |
Spitzflöte |
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32 |
“ |
V |
Mixture (15-19-22-26-29) |
160 |
“ |
32’ |
Kontra Posaune |
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44 |
“ |
16’ |
Posaune |
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16’ |
Bombarde (B) |
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16’ |
Bassoon (C) |
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8’ |
Trumpet |
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32 |
” |
4’ |
Clarion |
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32 |
“ |
2’ |
Rohrschalmei |
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32 |
“ |
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Chimes (L) |
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Bombarde on Pedal |
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String on Pedal |
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* Knob to be used for borrow of Great Double Open Diapason when it is added. |
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COUPLERS |
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Great to Pedal |
8’ |
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Swellto Pedal |
8’ |
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Swell to Pedal |
4’ |
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Choir to Pedal |
8’ |
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Choirto Pedal |
4’ |
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Soloto Pedal |
8’ |
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Soloto Pedal |
4’ |
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Positiv to Pedal |
8’ |
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Swell to Great |
16’ |
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Swell to Great |
8’ |
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Swell to Great |
4’ |
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Choir to Great |
16’ |
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Choir to Great |
8’ |
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Choir to Great |
16’ |
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Solo toGreat |
8’ |
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Solo toGreat |
4’ |
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Solo toGreat |
8’ |
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Positiv to Great |
16’ |
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Swell toChoir |
8’ |
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Swell toChoir |
4’ |
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Swell toChoir |
8’ |
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SolotoChoir |
8’ |
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Positiv to Choir |
8’ |
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Pedal toChoir |
8’ |
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Great toSolo |
8’ |
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SwelltoSolo |
8’ |
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Great/Choir Transfer |
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CONSOLE |
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1. |
Peterson Solid state, capture combination action: |
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99 Memories and lock |
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16 General pistons (13 duplicated by toe studs) |
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10 Great pistons |
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10 Swell pistons |
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10 Choir pistons |
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10 Solo pistons |
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10 Pedal pistons |
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4 Coupler pistons |
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1 Set piston |
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1 General cancel piston |
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Programmable piston range for each memory |
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2. |
Swell to Great reversible piston and toe stud |
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Positiv to Great reversible piston |
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Choir to Great reversible piston |
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Solo to Great reversible piston |
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Swell to Choir reversible piston |
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Positiv to Choir reversible piston |
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Solo to Choir reversible piston |
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Great to Solo reversible piston |
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Swell to Solo reversible piston |
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Great to Pedal reversible piston and toe stud |
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Swell to Pedal reversible piston and toe stud |
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Choir to Pedal reversible piston and toe stud |
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Positiv to Pedal reversible piston |
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Solo to Pedal reversible piston and toe stud |
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32' Posaune reversible toe stud |
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32' Bourdon reversible toe stud |
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All Swells to Swell reversible piston and toe lever with indicator |
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Manual 16s and Pedal 32s off reversible piston and toe lever with indicator |
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Mixtures Off reversible piston and toe lever with indicator |
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Reeds Off reversible piston and toe lever with indicator |
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Cymbelstern reversible toe lever |
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Full organ reversible piston and toe lever with indicator |
3. |
Three balanced expression pedals |
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4. |
Crescendo pedal with indicator |
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5. |
Pedal on Solo combinations |
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Pedal on Swell combinations |
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Pedal on Great combinations |
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Pedal on Choir combinations |
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6. |
Peterson Multiplex relay |
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